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Yayoi Kusama Ceramic Plate by Third Drawer Down - Women Wait for Love, but Men Always Walk Away (2009)

$80
Color
Multi
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About Yayoi Kusama Ceramic Plate by Third Drawer Down - Women Wait for Love, but Men Always Walk Away (2009)

This exclusive Yayoi Kusama Ceramic Plate by Third Drawer Down Studio's collaboration with the Japanese contemporary artist features her iconic work "Women Wait for Love, but Men Always Walk Away" made in 2009. Yayoi Kusama's work featured in this beautiful fine bone china plate displays her notorious visual language including polka dots, repetitive figures, and psychedelic patterns alluding to hallucinations. Founded in Australia, Third Drawer Down strives to make art accessible by collaborating with world-renowned contemporary artists such as Yayoi Kusama, Louise Bourgeois, Judy Chicago, Guerrilla Girls, Alex Katz, Chris Ofili, Robert Rauschenberg, Cindy Sherman, Kiki Smith, David Salle, David Shrigley, and Mickalene Thomas. Third Drawer Down's unique home decor collections include over 65% female artists, with the purpose of promoting equality and the presence of women in art. More Details on Yayoi Kusama Ceramic Plate by Third Drawer Down - Women Wait for Love, but Men Always Walk Away (2009):

  • Dimensions (Package): ø 11″ x 2″H
  • Dimensions (Plate): ø 10.5″ x 0.5″H
  • Weight: 1.5 lbs (est)
  • Material: Fine Bone China.
  • Additional Details: Dishwasher and microwave safe.
  • Original Artwork: Yayoi Kusama, Women Wait for Love, but Men Always Walk Away, 2009. Acrylic on canvas. 130 x 162cm.
  • Originally developed with Yayoi Kusama Studio and Whitney Museum, 2012.
  • © Yayoi Kusama.
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Kusama
Kusama’s prolific oeuvre ranges from large paintings and sculptures to performance pieces and political demonstrations. Since childhood, Kusama has been creating works using polka dots and nets as motifs in a variety of media. During the 1950s and 1960s, she played a major role in New York’s avant-garde art scene, participating in many happenings, including an unannounced performance in the Sculpture Garden of The Museum of Modern Art in 1969. In 1973, Kusama returned to Japan. Two years later, seeking treatment for her obsessive-compulsive neurosis, she entered the Seiwa Hospital for the Mentally Ill, where she lives and works to this day. She continues to produce paintings and sculpture, and, in the 1980s, added poetry and fiction to her range of creative pursuits.

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