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Salvador Dali Statue Temptation of Saint Anthony (1946) - Horse

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About Salvador Dali Statue Temptation of Saint Anthony (1946) - Horse

This Parastone Salvador Dalí statue Temptation of Saint Anthony (1946) is a three-dimensional representation of one his most notorious surrealist works. Salvador Dali's work "The Temptation of Saint Anthony" made in 1946, presents the dimension between heaven and earth with the creation of long-legged elephants. We can identify different characters, the principal, Saint Anthony, patron saint of animals; also a series of surreal animals, such as horses, located in the foreground and representing strength, an elephant which brings a golden cup in reference to lust. Other elephants carry buildings on their backs; the first is an obelisk inspired by Lorenzo Bernini in Rome, the others are Palladian Venetian style buildings. In the clouds, we can spot some fragments of El Escorial, a symbol of temporal and spiritual order. With this painting, Salvador Dalí took part in a contest organized by Loew Lewin Company, a film production company. The contest was won by Max Ernst. More details in Salvador Dali Statue Temptation of Saint Anthony (1946) - Horse:

Technical Specifications

  • Dimensions: 8" in. x 4.5" in. x 2.5" in.
  • Weight: 2.5 lbs (est)
  • Material: Resin.
  • Original Artwork: Dalí, Salvador. The Temptation of Saint Anthony. 1946. Oil on Canvas. 89,50 x 119,50 cm. Musées Royaux des Beaux-Arts de Belgique.
  • Dali


    The artist who above all others symbolizes Surrealism in the public imagination is the Spaniard, Salvador Dalí. His genius for publicity brought the word “Surrealism” to the level of a common noun in all languages. Not only Dali's art denotes that is irrational and erotic, but also mad–and fashionable. All at once, his paintings, his writings, his utterances, his actions, his appearance, and his iconic mustache celebrate his eccentricity. The Surrealists’ exploration of the human psyche and dreams reached new heights in Dalí’s extravagant works. In his paintings, sculptures, jewelry, and designs for furniture and movies, Dalí probed a deeply erotic dimension. While studying the writings of von Krafft-Ebing and Freud, he invented what he called the “paranoiac-critical method” to assist his creative process. Dalí’s surrealist works are characterized by their haunting allegorical empty space where even time has ended. An eerie, never-setting sun usually illuminates the barren landscapes, with often amorphous and imaginary creatures in the foreground. Dalí rendered every detail of this dreamscape with precise control, striving to make the world of his paintings convincingly real–in his words, to make the irrational concrete.


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